Molly Haskell

Selected Works

Non-Fiction
Haskell has produced a cultural map of not only her sister’s experience, but of gender roles and transsexualism in a world increasingly governed by notions of individual identity. My Brother My Sister is tender, honest, informed, and at times a humorous must-read for anyone who has ever struggled to discover who they really are.
Both historical survey and polemic, this book addresses the ways in which Hollywood, and cinema in general, has stereotyped women, but also points to the numerous examples of women subverting and challenging these stereotypes.
"A work of considerable depth and subtlety" (the New York Times) : In 1984 Haskell's husband, Andrew Sarris, came down with a mysterious and near-fatal illness. During his six-month hospitalization, she confronts not only the daily fear of his death but the realization of her own immense dependency.
Essays and interviews, ranging from interviews with Hollywood legends such as Gloria Swanson and John Wayne, to celebrations of the comic verve of Lucille Ball and Carol Burnett, to ruminations on literary figures such as Truman Capote and his Holly Golightly and Jane Austen's Emma.
Part of the Yale University Press American Icon series. An examination of how and why the book and movie have such a hold on the imagination. The character of Scarlett, bold, outrageous and yet forgivable, is unlike any heroine before or since.
Selected Articles
A piece about movie theatres and how they've changed through the years.
Molly's personal take on the hit tv show.
A book review of “Burt Lancaster: An American Life,” by Kate Buford.
A unique view of the confrontations between men and women, the darker side of men, and how both sexes react to these differences.
Celebrated New York Times humor piece about Molly's husband's driving, men's driving in general, and the misconceptions about women drivers.

Newest Books


Advanced Praise for “Steven Spielberg: A Life In Films”

“Molly Haskell, one of our most essential authorities on the movies, has written a fascinating, witty, acutely discerning book about a subject that would seem, at first glance, odd. But what a spectacular match it proves to be! Spielberg is given his proper due, and Haskell outdoes herself.”—Phillip Lopate, author of American Movie Critics

“This is a wonderful book, at once personal and critical, eloquent and vivacious. The book vibrates with a productive tension between the writer and her subject.”—Morris Dickstein, author of Dancing in the Dark

“Steven Spielberg and Molly Haskell—the great producer-director of modern film and one of the most intelligent and sensitive film writers we have ever had. The result is as rich and intriguing as the meeting of Elliott and E.T. We know the Spielberg films, or we think we do, until they come under the cool yet warming gaze of Ms. Haskell. As a result, we are the more fascinated with Spielberg and the more encouraged by the principle of essential and enlightening film commentary.”—David Thomson, author of A Biographical Dictionary of Film


Third Edition of the classic exploration of women's roles in the movies.

MOLLY HASKELL, author and critic, grew up in Richmond, Va., went to Sweet Briar College, the University of London and the Sorbonne before settling in New York. She worked at the French Film Office in the Sixties, writing a newsletter about French films for the New York press and interpreting when directors came to America (this was the height of the Nouvelle Vague) for the opening of their films. She then went to The Village Voice, first as a theater critic, then as a movie reviewer; and from there to New York Magazine and Vogue.

She has written for many publications, including The New York Times, The Guardian UK, Esquire, The Nation, Town and Country, The New York Observer and The New York Review of Books. She has served as Artistic Director of the Sarasota French Film Festival, on the selection committee of the New York Film Festival, as associate Professor of Film at Barnard and as Adjunct Professor of Film at Columbia University. She won a Guggenheim Fellowship for 2010 and was featured in the Library of America's 2006 "American Movie Critics" edited by Philip Lopate.

She was married for 43 years to the film critic Andrew Sarris who died in 2012. Her books include From Reverence to Rape: the Treatment of Women in the Movies (1973; revised and reissued in 1989); a memoir, Love and Other Infectious Diseases; and, in 1997, a collection of essays and interviews, Holding My Own in No Man's Land: Women and Men and Films and Feminists; and Frankly My Dear: Gone with the Wind Revisited, which was part of Yale University Press's American Icon series.

To order from University of Chicago Press: http:/​/​press.uchicago.edu/​ucp/​books/​book/​chicago/​F/​bo25144826.html